This is the second part of the post on why Actors and OOP are really a bad match. In the last post we have seen how adding types and methods to actors could turn into a bad idea, now we look at another aspect of OOP – actors and inheritance.
Once you have wrapped an actor inside an object as our fathers did, you can hardly resist the temptation of composing by inheritance. On paper this is also a good idea, think for example to some sort of service that has some housekeeping to do (registering/unregistering clients, notify clients), what’s wrong in having a base class
Continue reading “Our Fathers’ Faults – Mixing Actors and OOP 2 – Acting is not an inherited trait”
Service from which LedService can be inherited?
This was intended to be a single comprehensive post about what’s wrong in mixing the Actor model with OOP. After a while I was writing this I discovered that there is a lot of stuff to be told, so I split the post in two. This is the first and talks about why you would like to add typing to Actors and then why you would like to get back. The next one (that I would likely publish in 2020) is about why you would like to add inheritance among actors and why guess what… you would refrain to do it. Let’s start.
Once that the concept of Actor as implemented by the Akka framework is clear, we can proceed to the first issue in mixing Actors and OOP, that is brilliantly depicted by the sentence “No good deed goes unpunished”.
Continue reading “Our Fathers’ Faults – Mixing Actors and OOP 1, Actors with methods”
After the first four posts of “Our Fathers’ Faults” it’s time to turn a specific aspect of the application – the Akka framework. The code I’m managing is strongly based on this framework offering endless inspiration for misuse and abuse. Before going straight to the sins parade, I think it is proper a brief introduction to the Akka framework actors and their usage. Half of my two readers are ludicrously proficient in Akka and Scala that they might think of skipping this post wouldn’t it be for my witty ranting prose style, the rest of you two may actually be interested in the content as well.
BTW, actors, as most innovations in programming, are no longer that innovative. The actor model dates back to 1973 (geez, I was 5! I couldn’t even spell “actor”!), but it has been largely popularized by the reactive manifesto as a viable model for reliable concurrent programming.
Continue reading “Our Fathers’ Faults – Akktors and Ekkstras”
Scala tries to help the programmer in many ways. Verbose and repetitive code can be often syntactic-sugarized into concise statements. This is very convenient but encourages the programmer to produce write-only code. Let’s talk about types. In many contexts, you can is very good at inferring types. Consider
val n = 1
This Is the most obvious case, you don’t need to specify
Continue reading “Our Fathers’ Faults – Scantly Typed Language”
Int because the language manages to infer the type of the variable from the type of the expression to the right of the equal sign.